The cult of the academy: jargon, insularity and status
I think we lost a few generations of art critics to academia. They all learned to write in a similar style, which I find very jargon-filled and impenetrable; and I also feel that their taste flattened and everybody liked the same fifty-five artists, and they would quote the same twenty writers over and over. I thought, “The art world is not this boring; how can this be?” Now, I’m seeing more and more younger writers starting to write online, making sense, speaking in ways that you can understand and, most importantly, putting out opinions. The juice of criticism is opinion. I really admire Artforum; I’ve never written for it for good reason: I’m not smart enough, but I look in the second-to-the-last paragraph and I see a phrase like “this problemetized the show.” Is that positive or negative? There is no judgment in it. Everybody is smart. So I can’t fit in that art world because I never went to school; I have no degrees; I am not schooled in the language of the empire.