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Nudie and the Cosmic American

In the late 1960s, Nudie’s son-in-law and head tailor Manuel Cuevas met Parsons and enticed him into Nudie’s shop. In addition to working for Nudie, Manuel, who goes by his first name professionally, was working on crafting the Grateful Dead’s skeleton-and-roses insignia and designing the suits for the Beatles’ Sgt. Pepper’s album. Soon after, Parsons began sporting Nudie’s outlandish creations as the visual corollary to his unique sound. Nudie would hop in his custom Western-themed Cadillac convertible, with pistols for door handles, a hand-tooled leather dashboard covered in silver dollars, horseshoe hood ornaments, and steer horns jutting forth from the front grill, and drive to the clubs to hear the band play. Parsons had started a new band called the Flying Burrito Brothers with Chris Hillman, another ex-Byrd. “Nudie loved seeing Gram up on the stage, sparkling and looking so beautiful in his designs,” said photographer Raeanne Rubenstein. When it came time for the Burritos to record their debut album, The Gilded Palace of Sin, Nudie was the obvious choice to help put together their look.