J. G. Ballard on preparing to writeWith short stories I do a brief synopsis of about a page, and only if I feel the story works as a story, as a dramatic narrative with the right shape and balance to grip the reader’s imagination, do I begin to write it. Even in the Atrocity Exhibition pieces, there are strong stories embedded in the apparent confusion. There’s even the faint trace of a story in “Why I Want to Fuck Ronald Reagan,” and the other sections at the end of the book. In the case of the novels, the synopsis is much longer. For High-Rise, it was about twenty-five thousand words, written in the form of a social worker’s report on the strange events that had taken place in this apartment block, an extended case history. I wish I’d kept it; I think it was better than the novel. In the case of The Unlimited Dream Company, I spent a full year writing a synopsis that was eventually about seventy thousand words long, longer than the eventual novel. In fact, I was cutting down and pruning the synopsis as I wrote the novel. By synopsis I don’t mean a rough draft, but a running narrative in the perfect tense with the dialogue in reported speech, and with an absence of reflective passages and editorializing.